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George Catlin Oil Painting Reproductions
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George Catlin Buffalo Bull-s Back Fat Oberhauptling des Blutstammes oil


George Catlin
Buffalo Bull-s Back Fat Oberhauptling des Blutstammes
Painting ID::  45356
new16/George Catlin-466469.jpg 		Buffalo Bull-s Back Fat Oberhauptling des Blutstammes
mk181 1832 Ol auf Leinwand,auf Aluminium aufgezogen 73.7x60.9cm
   
   
     
George Catlin Pigeon-s Egg Head auf dem Weg nach Washington und bei Seiner Ruckkehr oil


George Catlin
Pigeon-s Egg Head auf dem Weg nach Washington und bei Seiner Ruckkehr
Painting ID::  45358
new16/George Catlin-866642.jpg 		Pigeon-s Egg Head auf dem Weg nach Washington und bei Seiner Ruckkehr
mk181 1837-39 Ol auf Leinwand,auf Aluminium aufgezogen 73.6x60.9cm
   
   
     
George Catlin Indian Boy oil


George Catlin
Indian Boy
Painting ID::  3194
George Catlin1.jpg 		Indian Boy
   
   
     
George Catlin Buffalo Bull : A Grand Pawnee Warrior oil


George Catlin
Buffalo Bull : A Grand Pawnee Warrior
Painting ID::  3195
George Catlin2.jpg 		Buffalo Bull : A Grand Pawnee Warrior
1832 National Museum of American Art, Washington D.C.
   
   
     
George Catlin Ambush for Flamingoes oil


George Catlin
Ambush for Flamingoes
Painting ID::  3196
George Catlin3.jpg 		Ambush for Flamingoes
c1857 Carnegie Museum of Art, Pittsburgh, PA
   
   
     
George Catlin Buffalo Bulls Fighting in Running Season-Upper Missouri oil


George Catlin
Buffalo Bulls Fighting in Running Season-Upper Missouri
Painting ID::  3197
George Catlin4.jpg 		Buffalo Bulls Fighting in Running Season-Upper Missouri
1837-39 National Museum of American Art, Washington D.C.
   
   
     
George Catlin The Dakota Chief : One Horn oil


George Catlin
The Dakota Chief : One Horn
Painting ID::  3198
George Catlin5.jpg 		The Dakota Chief : One Horn
1832
   
   
     
George Catlin War Dance oil


George Catlin
War Dance
Painting ID::  3199
George Catlin6.jpg 		War Dance
   
   
     
George Catlin Comanche Indians Chasing Buffalo with Lances and Bows oil


George Catlin
Comanche Indians Chasing Buffalo with Lances and Bows
Painting ID::  27966
new3/George Catlin-999383.jpg 		Comanche Indians Chasing Buffalo with Lances and Bows
1846-8 oil on canvas 49.8 x 70.1 cm (19 5/8 x 27 5/8 in) National Museum of American Art,Washington DC (mk63)
   
   
     
George Catlin Niagara Falls oil


George Catlin
Niagara Falls
Painting ID::  30684
new4/George Catlin-455725.jpg 		Niagara Falls
mk68 Oil on canvas Washington, Smithsonian Americn Art Museum 1827-1828 USA
   
   
     
George Catlin Comanche Indians Chasing Buffalo with Lances and Bows oil


George Catlin
Comanche Indians Chasing Buffalo with Lances and Bows
Painting ID::  30696
new4/George Catlin-583344.jpg 		Comanche Indians Chasing Buffalo with Lances and Bows
mk68 Oil on canvas Washington, Smithsonian American Art Museum 1846-1848
   
   
     
George Catlin Buffalo Chase on the Upper Missouri oil


George Catlin
Buffalo Chase on the Upper Missouri
Painting ID::  31885
new4/George Catlin-238363.jpg 		Buffalo Chase on the Upper Missouri
mk77 Oil on canvas 25 3/4x32in
   
   
     
George Catlin Stu-mick-o-sucks,Buffalo Bull-s Back Fat,Head Chief,Blood Tribe oil


George Catlin
Stu-mick-o-sucks,Buffalo Bull-s Back Fat,Head Chief,Blood Tribe
Painting ID::  38340
new11/George Catlin-676945.jpg 		Stu-mick-o-sucks,Buffalo Bull-s Back Fat,Head Chief,Blood Tribe
mk136 Oil on canvas 1832
   
   
     
George Catlin Sha-ko-ka,Mint,a Pretty Girl oil


George Catlin
Sha-ko-ka,Mint,a Pretty Girl
Painting ID::  38341
new11/George Catlin-797679.jpg 		Sha-ko-ka,Mint,a Pretty Girl
mk136 Oil on canvas 1832
   
   
     
George Catlin Buffalo Chase with Bows and Lances oil


George Catlin
Buffalo Chase with Bows and Lances
Painting ID::  38342
new11/George Catlin-632664.jpg 		Buffalo Chase with Bows and Lances
mk136 Oil on canvas 1832-33
   
   
     
George Catlin Minnetarree Village Seen Miles above the Mandans on the Bank of the Knife River oil


George Catlin
Minnetarree Village Seen Miles above the Mandans on the Bank of the Knife River
Painting ID::  41432
new16/George Catlin-699649.jpg 		Minnetarree Village Seen Miles above the Mandans on the Bank of the Knife River
mk162 c.1855-1870 Oil on paper 17x24
   
   
     
George Catlin Primitive Sailing by the Winnebago indians oil


George Catlin
Primitive Sailing by the Winnebago indians
Painting ID::  41433
new16/George Catlin-237525.jpg 		Primitive Sailing by the Winnebago indians
mk162 upper Mississippi c.1855-1870 Oil on paper 18x24
   
   
     
George Catlin Rainmaking,Mandan oil


George Catlin
Rainmaking,Mandan
Painting ID::  41434
new16/George Catlin-635597.jpg 		Rainmaking,Mandan
mk162 c.1855-1870 Oil on paper 18x24
   
   
     
George Catlin Wild Horses at Play oil


George Catlin
Wild Horses at Play
Painting ID::  41435
new16/George Catlin-393545.jpg 		Wild Horses at Play
mk162 c.1855-1870 Oil on paper 18x25
   
   
     
George Catlin Crow Chief oil


George Catlin
Crow Chief
Painting ID::  41436
new16/George Catlin-576656.jpg 		Crow Chief
mk162 c.1850 oil o nboard 15x21
   
   
     
George Catlin Buffalo Chase Over Prairie bark oil


George Catlin
Buffalo Chase Over Prairie bark
Painting ID::  45955
new17/George Catlin-954683.jpg 		Buffalo Chase Over Prairie bark
mk178 1832/33 oil on linen 61x74cm
   
   
     
George Catlin Cloudy oil


George Catlin
Cloudy
Painting ID::  50532
new18/George Catlin-592245.jpg 		Cloudy
mk212 Oil on canvas 71.1x58.1cm
   
   
     
George Catlin Black hawk,Sac Chief oil


George Catlin
Black hawk,Sac Chief
Painting ID::  50922
new18/George Catlin-439499.jpg 		Black hawk,Sac Chief
mk217
   
   
     
George Catlin Sha-KO-KA, Mandan Girl oil


George Catlin
Sha-KO-KA, Mandan Girl
Painting ID::  50923
new18/George Catlin-323956.jpg 		Sha-KO-KA, Mandan Girl
mk217
   
   
     
George Catlin Wah-ro-Nee-Sah,Oto Chief oil


George Catlin
Wah-ro-Nee-Sah,Oto Chief
Painting ID::  50924
new18/George Catlin-355239.jpg 		Wah-ro-Nee-Sah,Oto Chief
mk217
   
   
     
George Catlin Catching wild horses oil


George Catlin
Catching wild horses
Painting ID::  50925
new18/George Catlin-386959.jpg 		Catching wild horses
mk217
   
   
     
George Catlin Indian Tropp oil


George Catlin
Indian Tropp
Painting ID::  50926
new18/George Catlin-892457.jpg 		Indian Tropp
mk217
   
   
     
George Catlin Win-pan-to-mee,The white weasel oil


George Catlin
Win-pan-to-mee,The white weasel
Painting ID::  50983
new18/George Catlin-529694.jpg 		Win-pan-to-mee,The white weasel
mk217
   
   
     
George Catlin Notch-EE-Nin-Ga son of white cloud oil


George Catlin
Notch-EE-Nin-Ga son of white cloud
Painting ID::  50984
new18/George Catlin-466362.jpg 		Notch-EE-Nin-Ga son of white cloud
mk217
   
   
     
George Catlin The Last Race, Mandan O-Kee-Pa Ceremony oil


George Catlin
The Last Race, Mandan O-Kee-Pa Ceremony
Painting ID::  52532
new19/George Catlin-537695.jpg 		The Last Race, Mandan O-Kee-Pa Ceremony
1832 Oil on canvas mounted on aluminium, 59 x 71 cm
   
   
     
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     George Catlin
     1796-1872 George Catlin Galleries Catlin was born in Wilkes-Barre, Pennsylvania. Following a brief career as a lawyer, he produced two major collections of paintings of American Indians and published a series of books chronicling his travels among the native peoples of North, Central and South America. Claiming his interest in America??s 'vanishing race' was sparked by a visiting American Indian delegation in Philadelphia, he set out to record the appearance and customs of America??s native people. Catlin began his journey in 1830 when he accompanied General William Clark on a diplomatic mission up the Mississippi River into Native American territory. St. Louis became Catlin??s base of operations for five trips he took between 1830 and 1836, eventually visiting fifty tribes. Two years later he ascended the Missouri River over 3000 km to Ft Union, where he spent several weeks among indigenous people still relatively untouched by European civilization. He visited eighteen tribes, including the Pawnee, Omaha, and Ponca in the south and the Mandan, Cheyenne, Crow, Assiniboine, and Blackfeet to the north. There, at the edge of the frontier, he produced the most vivid and penetrating portraits of his career. Later trips along the Arkansas, Red and Mississippi rivers as well as visits to Florida and the Great Lakes resulted in over 500 paintings and a substantial collection of artifacts. When Catlin returned east in 1838, he assembled these paintings and numerous artifacts into his Indian Gallery and began delivering public lectures which drew on his personal recollections of life among the American Indians. Catlin traveled with his Indian Gallery to major cities such as Pittsburgh, Cincinnati, and New York. He hung his paintings ??salon style????side by side and one above another??to great effect. Visitors identified each painting by the number on the frame as listed in Catlin??s catalogue. Soon afterwards he began a lifelong effort to sell his collection to the U.S. government. The touring Indian Gallery did not attract the paying public Catlin needed to stay financially sound, and Congress rejected his initial petition to purchase the works, so in 1839 Catlin took his collection across the Atlantic for a tour of European capitals. Catlin the showman and entrepreneur initially attracted crowds to his Indian Gallery in London, Brussels, and Paris. The French critic Charles Baudelaire remarked on Catlin??s paintings, ??M. Catlin has captured the proud, free character and noble expression of these splendid fellows in a masterly way.?? Catlin??s dream was to sell his Indian Gallery to the U.S. government so that his life??s work would be preserved intact. His continued attempts to persuade various officials in Washington, D.C. failed. He was forced to sell the original Indian Gallery, now 607 paintings, due to personal debts in 1852. Industrialist Joseph Harrison took possession of the paintings and artifacts, which he stored in a factory in Philadelphia, as security. Catlin spent the last 20 years of his life trying to re-create his collection. This second collection of paintings is known as the "Cartoon Collection" since the works are based on the outlines he drew of the works from the 1830s. In 1841 Catlin published Manners, Customs, and Condition of the North American Indians, in two volumes, with about 300 engravings. Three years later he published 25 plates, entitled Catlin??s North American Indian Portfolio, and, in 1848, Eight Years?? Travels and Residence in Europe. From 1852 to 1857 he traveled through South and Central America and later returned for further exploration in the Far West. The record of these later years is contained in Last Rambles amongst the Indians of the Rocky Mountains and the Andes (1868) and My Life among the Indians (ed. by N. G. Humphreys, 1909). In 1872, Catlin traveled to Washington, D.C. at the invitation of Joseph Henry, the first secretary of the Smithsonian. Until his death later that year in Jersey City, New Jersey, Catlin worked in a studio in the Smithsonian ??Castle.?? Harrison??s widow donated the original Indian Gallery??more than 500 works??to the Smithsonian in 1879. The nearly complete surviving set of Catlin??s first Indian Gallery painted in the 1830s is now part of the Smithsonian American Art Museum's collection. Some 700 sketches are in the American Museum of Natural History, New York City. The accuracy of some of Catlin's observations has been questioned. He claimed to be the first white man to see the Minnesota pipestone quarries, and pipestone was named catlinite. Catlin exaggerated various features of the site, and his boastful account of his visit aroused his critics, who disputed his claim of being the first white man to investigate the quarry. Previous recorded white visitors include the Groselliers and Radisson, Father Louis Hennepin, Baron LaHonton and others. Lewis and Clark noted the pipestone quarry in their journals in 1805. Fur trader Philander Prescott had written another account of the area in 1831.

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