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John Constable Oil Painting Reproductions

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John Constable Salisbury Cathedral from the Meadows2 oil


John Constable
Salisbury Cathedral from the Meadows2
Painting ID::  435
John Constable1.jpg
Salisbury Cathedral from the Meadows2
   
   
     

John Constable The Valley Farm oil


John Constable
The Valley Farm
Painting ID::  436
John Constable2.jpg
The Valley Farm
1835 Tate Gallery, London
   
   
     

John Constable The Glebe Farm oil


John Constable
The Glebe Farm
Painting ID::  437
John Constable3.jpg
The Glebe Farm
1835 Tate Gallery, London
   
   
     

John Constable Whitehall Stairs on June 18, 1817 oil


John Constable
Whitehall Stairs on June 18, 1817
Painting ID::  438
John Constable4.jpg
Whitehall Stairs on June 18, 1817
1832
   
   
     

John Constable Parham Mill at Gillingham oil


John Constable
Parham Mill at Gillingham
Painting ID::  439
John Constable5.jpg
Parham Mill at Gillingham
1826 Yale Centre for British Art, New Haven,
   
   
     

John Constable Arundel Mill and Castle oil


John Constable
Arundel Mill and Castle
Painting ID::  440
John Constable6.jpg
Arundel Mill and Castle
1837 The Toledo Museum of Art, Toledo
   
   
     

John Constable Stonehenge oil


John Constable
Stonehenge
Painting ID::  441
John Constable7.jpg
Stonehenge
1836 V ictoria and Albert Museum, London
   
   
     

John Constable Wivenhoe Park, Essex oil


John Constable
Wivenhoe Park, Essex
Painting ID::  456
John Constable8.jpg
Wivenhoe Park, Essex
1816 National Gallery of Art, Washington DC
   
   
     

John Constable Maria Bicknell oil


John Constable
Maria Bicknell
Painting ID::  457
John Constable9.jpg
Maria Bicknell
1816 Tate Gallery, London
   
   
     

John Constable Helmingham Dell (mk05) oil


John Constable
Helmingham Dell (mk05)
Painting ID::  20833
new6/John Constable-965495.jpg
Helmingham Dell (mk05)
Canvas 40 1/2 x 51''(103 x 129 cm)Acquired in 1948 R.F 1948-5
   
   
     

John Constable View of Salisbury (mk05) oil


John Constable
View of Salisbury (mk05)
Painting ID::  20837
new6/John Constable-296769.jpg
View of Salisbury (mk05)
Canvas ,14 1/4 x 20 1/2''(36 x 52 cm)Bequeathed in 1952 R.F 1952-25
   
   
     

John Constable The White Horse (mk09) oil


John Constable
The White Horse (mk09)
Painting ID::  21299
new6/John Constable-995248.jpg
The White Horse (mk09)
1819 OIl on canvas,131.4 x 188.3 cm New York,The Frick Collection
   
   
     

John Constable Weymouth Bay (mk09) oil


John Constable
Weymouth Bay (mk09)
Painting ID::  21434
new6/John Constable-645942.jpg
Weymouth Bay (mk09)
c.1816 Oil on canvas,53 x 75 cm London,National Gallery
   
   
     

John Constable Salisbury Cathedral from the Bishop's Grounds (mk09) oil


John Constable
Salisbury Cathedral from the Bishop's Grounds (mk09)
Painting ID::  21435
new6/John Constable-399725.jpg
Salisbury Cathedral from the Bishop's Grounds (mk09)
1828 Oil on canvas,34 x 44 cm Berlin,Nationalgalerie,Staatliche Museen zu Berlin-Preussischer Kulturbesitz
   
   
     

John Constable Dedham Lock and Mill (mk09) oil


John Constable
Dedham Lock and Mill (mk09)
Painting ID::  21436
new6/John Constable-254867.jpg
Dedham Lock and Mill (mk09)
1820 Oil on canvas,53.7 x 76.2 cm London,Victoria and Albert Museum
   
   
     

John Constable The Hay Wain (mk09) oil


John Constable
The Hay Wain (mk09)
Painting ID::  21437
new6/John Constable-846563.jpg
The Hay Wain (mk09)
1821 Oil on canvas,130.5 x 185.5 cm London,National Gallery
   
   
     

John Constable The Valley Farm (mk09) oil


John Constable
The Valley Farm (mk09)
Painting ID::  21439
new6/John Constable-453278.jpg
The Valley Farm (mk09)
1835 Oil on canvas,147.3 x 125 cm London,Tate Gallery
   
   
     

John Constable Lake Derwent with Evening Storm (mk10) oil


John Constable
Lake Derwent with Evening Storm (mk10)
Painting ID::  21770
new6/John Constable-242385.jpg
Lake Derwent with Evening Storm (mk10)
Watercolour,33.5 x 38 cm London,Victorian and Albert Museum
   
   
     

John Constable Landscape with Two Rainbows (mk10) oil


John Constable
Landscape with Two Rainbows (mk10)
Painting ID::  21822
new7/John Constable-528946.jpg
Landscape with Two Rainbows (mk10)
1812 Oil on paper 34 x 38 cm London,Victoria and Albert Museum
   
   
     

John Constable Old Sarum (mk22) oil


John Constable
Old Sarum (mk22)
Painting ID::  22809
new7/John Constable-472872.jpg
Old Sarum (mk22)
1834 Watercolor,30 x 48.7 cm London,Victoria and Albert Museum
   
   
     

John Constable The Lock (nn03) oil


John Constable
The Lock (nn03)
Painting ID::  23276
new8/John Constable-892527.jpg
The Lock (nn03)
c 1824 Oil on canvas 142 x 120 cm 56 x 47 1/2 in Fundacion Coleccion Thyssen-Bornemisza Madrid
   
   
     

John Constable Salisbury Cathedral from the Meadows oil


John Constable
Salisbury Cathedral from the Meadows
Painting ID::  26358
new2/John Constable-545874.jpg
Salisbury Cathedral from the Meadows
mk49 1831 Oil on canvas on loan to the National Gallery,London
   
   
     

John Constable Dedham Lock and Mill oil


John Constable
Dedham Lock and Mill
Painting ID::  30676
new4/John Constable-777379.jpg
Dedham Lock and Mill
mk68 Oil on canvas London,Victoria and Albert Museum 1820 Britain
   
   
     

John Constable View of Salisbury Cathedral Grounds from the Bishop's House oil


John Constable
View of Salisbury Cathedral Grounds from the Bishop's House
Painting ID::  30681
new4/John Constable-887827.jpg
View of Salisbury Cathedral Grounds from the Bishop's House
mk68 Oil on canvas London, Victoria and Albert Museum 1823 Britain
   
   
     

John Constable The White horse oil


John Constable
The White horse
Painting ID::  31837
new4/John Constable-896757.jpg
The White horse
mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in
   
   
     

John Constable Details of The White horse oil


John Constable
Details of The White horse
Painting ID::  31838
new4/John Constable-943459.jpg
Details of The White horse
mk76 Dated 1819 Oil on canvas 51 3/4x74 1/8in
   
   
     

John Constable Salisbury cathedral from the bishop's garden oil


John Constable
Salisbury cathedral from the bishop's garden
Painting ID::  31839
new4/John Constable-777744.jpg
Salisbury cathedral from the bishop's garden
mk76 Dated 1826 Oil on canvas
   
   
     

John Constable Chain Pier oil


John Constable
Chain Pier
Painting ID::  32800
new9/John Constable-346466.jpg
Chain Pier
mk81 Brighton 1826-7
   
   
     

John Constable Flatford Mill oil


John Constable
Flatford Mill
Painting ID::  32836
new9/John Constable-628346.jpg
Flatford Mill
mk81 1816-17
   
   
     

John Constable The Mill Stream oil


John Constable
The Mill Stream
Painting ID::  32842
new9/John Constable-982542.jpg
The Mill Stream
mk81 c.1810
   
   
     

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     John Constable
     1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy

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