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Correggio Oil Painting Reproductions
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Correggio Jupiter and Io typifies the unabashed eroticism oil


Correggio
Jupiter and Io typifies the unabashed eroticism
Painting ID::  58458
new20/Correggio-848483.jpg 		Jupiter and Io typifies the unabashed eroticism
Jupiter and Io (c. 1531) typifies the unabashed eroticism, radiance, and cool, pearly colors associated with Correggio's best work.
   
   
     
Correggio Ganymede Abducted by the Eagle oil


Correggio
Ganymede Abducted by the Eagle
Painting ID::  58459
new20/Correggio-863499.jpg 		Ganymede Abducted by the Eagle
Ganymede Abducted by the Eagle, one of the four mythological paintings commissioned by Federico II Gonzaga, is a proto-Baroque work due to its depiction of movement, drama, and diagonal compositional arrangement.
   
   
     
Correggio Correggio famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy. oil


Correggio
Correggio famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.
Painting ID::  58460
new20/Correggio-549274.jpg 		Correggio famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.
Correggio's famous frescoes in Parma seems to melt the ceiling of the cathedral and draw the viewer into a gyre of spiritual ecstasy.
   
   
     
Correggio The Mystic Marriage of St. Catherine oil


Correggio
The Mystic Marriage of St. Catherine
Painting ID::  58461
new20/Correggio-326966.jpg 		The Mystic Marriage of St. Catherine
The Mystic Marriage of St. Catherine (c. 1520), Correggio's most important contribution to the High Renaissance art, exhibits Leonardo's pronounced influence on his early style.
   
   
     
Correggio Leda mit dem Schwan oil


Correggio
Leda mit dem Schwan
Painting ID::  66255
new22/Correggio-735336.jpg 		Leda mit dem Schwan
Oil on canvas 152 x 191 cm 1531
   
   
     
Correggio Leda mit dem Schwan oil


Correggio
Leda mit dem Schwan
Painting ID::  70064
new23/Correggio-868647.jpg 		Leda mit dem Schwan
Medium oil on canvas Dimensions 152 X 191 cm
   
   
     
Correggio Leda mit dem Schwan oil


Correggio
Leda mit dem Schwan
Painting ID::  70641
new23/Correggio-745679.jpg 		Leda mit dem Schwan
Medium Oil on canvas Dimensions Expression error: Missing operand for *152 ?? 191 cm
   
   
     
Correggio Portrait of a Young Man, oil


Correggio
Portrait of a Young Man,
Painting ID::  75422
new24/Correggio-399933.jpg 		Portrait of a Young Man,
Correggio: Portrait of a Young Man, c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Musee du Louvre, Paris ca. 1525(1525) cjr
   
   
     
Correggio Portrait of a Young Man oil


Correggio
Portrait of a Young Man
Painting ID::  77273
new24/Correggio-634357.jpg 		Portrait of a Young Man
c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Mus??e du Louvre, Paris Date ca. 1525(1525) cyf
   
   
     
Correggio Madonna and Child with infant St John the Baptist oil


Correggio
Madonna and Child with infant St John the Baptist
Painting ID::  81241
new24/Correggio-994988.jpg 		Madonna and Child with infant St John the Baptist
oil on wood painting by Correggio, 1514 - 15, 45.0 x 35.5 cm, National Gallery of Victoria, Melbourne Date 1514 - 15 cyf
   
   
     
Correggio Painting oil


Correggio
Painting
Painting ID::  84911
new25/Correggio-573467.jpg 		Painting
1489-1534. Around 1522. Oil on canvas cyf
   
   
     
Correggio Virgin and Child with an Angel oil


Correggio
Virgin and Child with an Angel
Painting ID::  87015
new25/Correggio-444564.jpg 		Virgin and Child with an Angel
Date first half of 16th century Medium Oil on wood cjr
   
   
     
Correggio Virgin and Child with an Angel oil


Correggio
Virgin and Child with an Angel
Painting ID::  87017
new25/Correggio-378977.jpg 		Virgin and Child with an Angel
Date first half of 16th century Medium Oil on wood cjr
   
   
     
Correggio Vier Heilige oil


Correggio
Vier Heilige
Painting ID::  89225
new25/Correggio-344855.jpg 		Vier Heilige
c. 1517 Medium oil on canvas Dimensions Deutsch: 172 x 126 cm cjr
   
   
     
Correggio Madonna with St. Francis oil


Correggio
Madonna with St. Francis
Painting ID::  89250
new25/Correggio-848444.jpg 		Madonna with St. Francis
1514(1514) Medium oil on wood cyf
   
   
     
Correggio Christ presented to the People oil


Correggio
Christ presented to the People
Painting ID::  89366
new25/Correggio-985634.jpg 		Christ presented to the People
c. 1525-30, oil on wood, 99.7 x 80 cm, cjr
   
   
     
Correggio Kopf des Merkur oil


Correggio
Kopf des Merkur
Painting ID::  89722
new25/Correggio-546976.jpg 		Kopf des Merkur
c. 1528 Medium oil on canvas cjr
   
   
     
Correggio Ruhe auf der Flucht nach agypten, mit Hl. Franziskus oil


Correggio
Ruhe auf der Flucht nach agypten, mit Hl. Franziskus
Painting ID::  90097
new25/Correggio-955694.jpg 		Ruhe auf der Flucht nach agypten, mit Hl. Franziskus
1517(1517) Medium oil on canvas cjr
   
   
     
Correggio Die Mystische Hochzeit der Hl. Katharina von Alexandrien oil


Correggio
Die Mystische Hochzeit der Hl. Katharina von Alexandrien
Painting ID::  91727
new25/Correggio-778894.jpg 		Die Mystische Hochzeit der Hl. Katharina von Alexandrien
c. 1518 Medium oil on canvas Dimensions Deutsch: 28 X 24 cm cjr
   
   
     
Correggio Virgin and Child with an Angel oil


Correggio
Virgin and Child with an Angel
Painting ID::  91737
new25/Correggio-349379.jpg 		Virgin and Child with an Angel
first half of 16th century Medium oil on panel cyf
   
   
     
Correggio Virgin and Child with an Angel oil


Correggio
Virgin and Child with an Angel
Painting ID::  91741
new25/Correggio-655334.jpg 		Virgin and Child with an Angel
first half of 16th century Medium oil on panel cyf
   
   
     
Correggio Virgin and Child with an Angel oil


Correggio
Virgin and Child with an Angel
Painting ID::  93793
new26/Correggio-943394.jpg 		Virgin and Child with an Angel
between 1522(1522) and 1525(1525) Medium oil on panel Dimensions Height: 69 cm (27.2 in). Width: 57 cm (22.4 in). cjr
   
   
     
Correggio Assumption of the Virgin oil


Correggio
Assumption of the Virgin
Painting ID::  94754
new26/Correggio-454889.jpg 		Assumption of the Virgin
1526-1530 Type Fresco Dimensions 1093 cm x 1195 cm cyf
   
   
     
Correggio Nativity oil


Correggio
Nativity
Painting ID::  94757
new26/Correggio-747769.jpg 		Nativity
1529-1530 Type Oil on canvas Dimensions 256.5 cm x 188 cm cyf
   
   
     
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     Correggio
     Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.

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