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Correggio
Zeus and Antiope (mk08)
new6/Correggio-369775.jpg
c.1524/25
Oil on canvas,
188x125cm
Paris,Musee National du Louvre
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Correggio
Leda and the Swan (mk08)
new6/Correggio-737928.jpg
c.1531/32
Oil on canvas
152x191cm
Berlin,Gemaldegalerie,Staatliche Museen
zu Berlin-Preubischer Kulturbesitz
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Correggio
Zeus and Io (mk08)
new6/Correggio-488435.jpg
c.1531/32
Oil on canvas,163.5x74cm
Vienna,Kunsthistorisches Museum
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Correggio
The Abduction of Ganymede (mk08)
new6/Correggio-279868.jpg
c.1531/32
Oil on canvas,
163.5x70.5cm
Vienna,Kunsthistorisches Museum
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Correggio
The Nativity (nn03)
new8/Correggio-482589.jpg
1530
Oil on panel 256 x 188 cm 100 3/4 74 in Staatliche Kunstsammlungen Dresden
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Correggio
Madonna and Child
new3/Correggio-289492.jpg
mk65
c.1515
Oil on panel
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Correggio
Noli me tangere
new3/Correggio-452387.jpg
mk65
c.1522-1525
Oil on canvas
130x103cm
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Correggio
Madonna and Child in Glory with Angels
new3/Correggio-492383.jpg
mk65
OIl on panel
7 7/8x6 7/16in
Uffizi,
Gallery
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Correggio
The Adoration of the Child
new3/Correggio-692545.jpg
mk65
Oil on panel
31 7/8x30 5/16in
Uffizi,Gallery
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Correggio
Portrait of a Lady
new3/Correggio-566646.jpg
mk65
ca.1519
Oil on canvas
40 1/2x34 1/2"
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Correggio
The Rest on the Flight into Egypt
new3/Correggio-655973.jpg
mk67
Oil on canvas
48 5/8x41 15/16in
Uffizi,Gallery
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Correggio
Venus and Cupid with a Satyr
new4/Correggio-645782.jpg
mk68
Oil on canvas
6'2"x4'1 1/2"
Paris
c.1520
Italy
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Correggio
Assumption of the Virgin
new4/Correggio-668534.jpg
mk68
Fresco
Parma,Parma Cathedral
1526-1530
Italy
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Correggio
Allegorie des vertus on La vertu heroique victorieuse des vices
new4/Correggio-639278.jpg
mk70
Toile
H.1.48
L.0.88
Paris,Musee du Louvre
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Correggio
Venus,Satyre et Cupidon
new4/Correggio-484434.jpg
mk70
Toile.
H.1.88
L.1.25
Paris,Musee du Louvre
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Correggio
Le mariage mystique de sainte Catherine d'Alexandrie avec saint Sebastien
new4/Correggio-786682.jpg
mk70
Bois
H.1.05
L.1.02
Paris,Musee du Louvre
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Correggio
Danae,Detail of the two cupids
new4/Correggio-748372.jpg
mk74
Rome,
Galleria Borghese
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Correggio
Madonna and Child with Angels playing Musical Instruments
new4/Correggio-884784.jpg
mk74
20x16.3cm
Florence,
Uffizi
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Correggio
Modonna and Child with Saint Elizabeth and the Young Saint John
new4/Correggio-353794.jpg
mk74
77x99cm
Milan,
Painacoteca di Brera
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Correggio
Details of Modonna and Child with Saint Elizabeth and the Young Saint John
new4/Correggio-996554.jpg
mk74
77x99cm
Milan,
Painacoteca di Brera
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Correggio
Andrea Mantegna Madonna della Vittoria
new4/Correggio-223425.jpg
mk74
Paris,
Louvre
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Correggio
Madonna with Saint Francis
new4/Correggio-955729.jpg
mk74
299x245cm
Dresden,
Gemaldegalerie
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Correggio
Madonna and Child with the Young Saint John
new4/Correggio-957542.jpg
mk74
48x37cm
Madrid,
Prado
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Correggio
Details of Madonna and Child with the Young Saint John
new4/Correggio-424648.jpg
mk74
Madrid,
Prado
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Correggio
Madonna Zingarella
new4/Correggio-847992.jpg
mk74
49x37cm
Naples,
Museo di Capodimonte
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Correggio
Rest on the Flight into Egypt with Saint Francis
new4/Correggio-625399.jpg
mk74
123.5x106.5cm
Florence
Uffizi Gallery
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Correggio
Madonna and Child with the Young Saint John
new4/Correggio-366497.jpg
mk74
68x49cm
Milan
Museo del Castello Sforzesco
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Correggio
Details of Rest on the Flight into Egypt with Saint Francis
new4/Correggio-657646.jpg
mk74
123.5x106.5cm
Florence,
Uffizi Gallery
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Correggio
Campori Madonna
new4/Correggio-745923.jpg
mk74
58x45cm
Modena
Galleria Estense
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Correggio
Adoration of the Magi
new4/Correggio-887463.jpg
mk74
84x108cm
Milan,
Pinacoteca di Brera
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Correggio
Italian 1489-1534
Correggio Locations
Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.
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