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Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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Gustav Klimt Joseph Pembauer (mk20)
new7/Gustav Klimt-223676.jpg 1890
Bildnis des Pianisten und Klavierpadagogen Joseph Pembauer
Oil on canvas,69 x 55 cm
Tyrolean State Museum Ferdinandeum,Innsbruck
Gustav Klimt Portrait of a Lady (Frau Heymann) around (mk20)
new7/Gustav Klimt-748832.jpg 1894
Damenbildnis
Oil on wood,39 x 23 cm
Historical Museum,Vienna
Gustav Klimt Farmhouse with Birch Trees (mk20)
new7/Gustav Klimt-939549.jpg 1900
Bauernhaus mit Birken
Oil on canvas,80 x 80 cm
Austrian Gallery,Vienna
Gustav Klimt Island in Lake Atter (mk20)
new7/Gustav Klimt-949235.jpg around 1901
Insel im Attersee
Oil on canvas,100 x 100 cm
Private collection,by permission of the St Etienne Gallery,New York
Gustav Klimt Beethoven Frieze (mk20)
new7/Gustav Klimt-935454.jpg 1902
Beethoven-Fries Central narrow wall(Detail):Unchastity,Lust and Gluttony Unkeuschheit,Wollust und Unmassigkeit
Casein paint on plaster,220 cmhigh Austrian Gallery,Vienna
Gustav Klimt Beethoven Frieze (mk20)
new7/Gustav Klimt-542765.jpg 1902
Left side wall(detail):Yearning for Hap-piness
Die Sehnsucht nach Gluck
Casein paint on plaster
2.2 metres high,13.78 metres long Austrian Gallery,Vienna
Gustav Klimt Beethoven Frieze (mk20)
new7/Gustav Klimt-424446.jpg 1902
Central end wall(detail):Hostile Forces Die Feindlichen Gewalten
Casein paint on plaster,2.2 metres high,6.36 metres long Autrian Gallery,Vienna
Gustav Klimt Beethoven Frieze (mk20)
new7/Gustav Klimt-392364.jpg 1902
Right side wall(detail):The Yearning for Happiness Finds Fulfilment in Poetry Die Sehnsucht nach Gluck findes Stil-Lungin der Poesie Casein paint on plaster,2.2 metres high,13.81 metres long Austrian Gallery,Vienna
Gustav Klimt Life is a Struggle (The Golden Knight) (mk20)
new7/Gustav Klimt-649682.jpg 1903
Das Leben ein Kampf(Der goldene Ritter)
Oil on canvas,100 x 100 cm
Private collection,by permission of the St.Etienne Gallery,New York
Gustav Klimt Death and Life (mk20)
new7/Gustav Klimt-757235.jpg completed in 1916
Tod und Leben
Oil on canvas,178 x 198 cm
Dr.Rudolf Leopold Collection,Vienna
Gustav Klimt Farmhouse in Upper Austria (mk20)
new7/Gustav Klimt-699948.jpg 1911/12
Oberostereichisches Bauernhaus
Oil on canvas,110 x 110 Austrian Gallery,Vienna
Gustav Klimt Lady with cape and Hat (mk20)
new7/Gustav Klimt-596823.jpg Three-Quarter View from the Right 1897/98
Black and red chalk,45 x 32 cm
Albertina,Vienna
Gustav Klimt Portrait of Fritza Riedler (mk20
new7/Gustav Klimt-584462.jpg 1906
Bildnis Fritza Riedler
Oil on canvas,153 x 133 cm
Austrian Gallery,Vienna
Gustav Klimt Portrait of Mada Primavesi (mk20
new7/Gustav Klimt-668776.jpg around 1912
Bildnis Mada Primavesi
Oil on canvas,150 x 110.5 cm
Metropolitan Museum of Art,New York,gift of Andre and Clara Mertens,in memory of her mother,Jenny Pulitzer Steiner,1964
Gustav Klimt Schlo Kammer at Lake Atter I (mk20)
new7/Gustav Klimt-346822.jpg around 1908
Schloss Kammer am Attersee I
Oil on canvas,110 x 110 cm
Narodni Gallery,Prague
Gustav Klimt The Park (mk20)
new7/Gustav Klimt-859372.jpg 1910
Der park Oil on canvas,110 x 110 cm
Gertrude A Mellon Fund,Collection,The Museum of Modern Art New York
Gustav Klimt Water Serpents I (mk20)
new7/Gustav Klimt-856768.jpg 1904-1907
Wasserschlangen I Watercolours and gold paint on parchment,50 x 20 cm
Austrian Gallery,Vienna
Gustav Klimt Gold Fish (detail) (mk20)
new7/Gustav Klimt-959595.jpg 1901/02
Goldfische
Oil on canvas,150 x 46 cm
Dubi-Muller Foundation,Kunstmuseum,Solothurn
Austrian Art Nouveau Painter, 1862-1918
Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil.
Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.
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