100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
PARMIGIANINO The Conversion of St Paul - Oil on canvas
new21/PARMIGIANINO-988546.jpg 177,5 x 128,5 cm Kunsthistorisches Museum, Vienna Artist: PARMIGIANINO Painting Title: The Conversion of St Paul , 1501-1550 Painting Style: Italian , , religious
PARMIGIANINO Mystic Marriage of Saint Catherine
new23/PARMIGIANINO-433579.jpg Medium Oil on wood
Dimensions Expression error: Missing operand for *74.2 ?? 57.2 cm
PARMIGIANINO The Mystic Marriage of St Catherine
new25/PARMIGIANINO-876459.jpg Date ca. 1527(1527)
Medium Oil on wood
Dimensions Height: 21 cm (8.3 in). Width: 27 cm (10.6 in).
cjr
PARMIGIANINO Thronende Madonna, Hl. Zacharias, Hl. Johannes der Taufer und Hl. Maria Magdalena
new25/PARMIGIANINO-757675.jpg c. 1530
Medium oil on panel
cjr
PARMIGIANINO Portrait of a Man
new25/PARMIGIANINO-797849.jpg between 1528(1528) and 1530(1530)
Medium oil on panel
Dimensions Height: 52 cm (20.5 in). Width: 42 cm (16.5 in).
cjr
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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