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Hans holbein the younger
b. 1497, Augsburg, d. 1543, London
was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Hans holbein the younger Portrait of Sir Thomas More,
new21/Hans holbein the younger-537747.jpg Portrait of Sir Thomas More, 1527. Oil and tempera on oak, Frick Collection, New York City.
Hans holbein the younger The Artist Family
new21/Hans holbein the younger-665454.jpg The Artist's Family, c. 1528. Oil and tempera on paper, cut out and mounted on wood. Kunstmuseum Basel.
Hans holbein the younger Double Portrait of Jean de Dinteville and Georges de Selve
new21/Hans holbein the younger-749993.jpg Double Portrait of Jean de Dinteville and Georges de Selve ("The Ambassadors"), 1533. Oil and tempera on oak, National Gallery, London.
Hans holbein the younger Portrait of Henry VIII,
new21/Hans holbein the younger-887556.jpg Portrait of Henry VIII, c. 1536. Oil and tempera on oak, Thyssen-Bornemisza Museum, Madrid.
Hans holbein the younger Portrait of Edward VI as a Child
new21/Hans holbein the younger-394997.jpg Portrait of Edward VI as a Child, c. 1538. Oil and tempera on oak, National Gallery of Art, Washington D. C.
Hans holbein the younger Holbein Lais of Corinth
new21/Hans holbein the younger-826787.jpg Holbein's Lais of Corinth, 1526, reveals the influence of Leonardo. Oil and tempera on limewood, Kunstmuseum Basel.
Hans holbein the younger Darmstadt Madonna,
new21/Hans holbein the younger-465383.jpg Darmstadt Madonna, with donor portraits, 1525?C26 and 1528. Oil and tempera on limewood, Schlossmuseum, Darmstadt.
Hans holbein the younger Portrait of the Merchant Georg Gisze
new21/Hans holbein the younger-775788.jpg Portrait of the Merchant Georg Gisze, 1532. Oil and tempera on oak, Berlin State Museums.
Hans holbein the younger Jane Small,
new21/Hans holbein the younger-435342.jpg Jane Small, portrait miniature, c. 1540. Bodycolour on vellum, Victoria and Albert Museum, London.
Hans holbein the younger Man in a Black Cap
new21/Hans holbein the younger-335267.jpg Man in a Black Cap, by John Bettes the Elder, 1545. Oil on oak, Tate Britain, London.
Hans holbein the younger Portrait of Bonifacius Amerbach
new21/Hans holbein the younger-427746.jpg Portrait of Bonifacius Amerbach, 1519. Oil and tempera on pine, Kunstmuseum Basel.
Hans holbein the younger Portrait of a Lady with a Squirrel and a Starling
new21/Hans holbein the younger-348765.jpg Portrait of a Lady with a Squirrel and a Starling, c. 1527?C28. Oil and tempera on oak, National Gallery, London.
Hans holbein the younger Noli me tangere
new21/Hans holbein the younger-432244.jpg Noli me tangere, possibly 1524?C26. Oil and tempera on oak, Royal Collection.
Hans holbein the younger Portrait of Jane Seymour,
new21/Hans holbein the younger-799642.jpg Portrait of Jane Seymour, c. 1537. Oil and tempera on oak, Kunsthistorisches Museum, Vienna.
Hans holbein the younger Portrait of Christina of Denmark, Duchess of Milan,
new21/Hans holbein the younger-629437.jpg Portrait of Christina of Denmark, Duchess of Milan, c. 1538. Oil and tempera on oak, National Gallery, London.
Hans holbein the younger Portrait of Anne of Cleves,
new21/Hans holbein the younger-974329.jpg Portrait of Anne of Cleves, c. 1539. Oil and tempera on parchment mounted on canvas, Louvre, Paris
Hans holbein the younger Henry Brandon
new21/Hans holbein the younger-353568.jpg Henry Brandon, 2nd Duke of Suffolk, portrait miniature, 1541. Watercolour on vellum, Royal Collection, Windsor Castle.
Hans holbein the younger for centuries armies have used drums to reep their marching in step.
new21/unknow artist-375496.jpg mk270 for centuries armies have used drums to reep their marching in step. here an 18th century isde drummer leads a platoon of troops past national theatre in prague.
Hans holbein the younger Portrait des Charles de Solier
new23/Hans holbein the younger-783584.jpg Medium Deutsch: Tempera auf Holz
Dimensions Deutsch: 92,5 ?? 75,4 cm
Current location Deutsch: Gemäldegalerie
Deutsch: Dresden
Hans holbein the younger Noli me tangere
new23/Hans holbein the younger-763776.jpg Date c. 1524
Medium Oil on oak panel
Current location Royal Collection, Hampton Court
cyf
Hans holbein the younger Portrait of William Reskimer. Coloured chalks on pink-primed paper
new24/Hans holbein the younger-986793.jpg Portrait of William Reskimer. Coloured chalks on pink-primed paper, 29.3 X 21.2 cm, Royal Collection, Windsor Castle.
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Hans holbein the younger Portrait of an English Lady
new24/Hans holbein the younger-993644.jpg ca. 1533?C1536
Oil and tempera on oak
29.8 ?? 24.8 cm
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Hans holbein the younger Portrait of a Young Woman with a White Coif
new24/Hans holbein the younger-636368.jpg 1541(1541)
Oil and tempera on panel
11.11 cm (4.4 in)
cjr
Hans holbein the younger Portrait of a Man
new24/Hans holbein the younger-656543.jpg Portrait of a Man, possibly Hans of Antwerp. Oil and tempera on oak, 61 x 46.8 cm, Royal Collection, Windsor Castle
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Hans holbein the younger Portrait of Sir Thomas Wyatt
new24/Hans holbein the younger-733538.jpg Portrait of Sir Thomas Wyatt. Oil on panel, 47 cm diameter, National Portrait Gallery, London.
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Hans holbein the younger The Body of the Dead Christ in the Tomb and a detail
new24/Hans holbein the younger-457976.jpg The Body of the Dead Christ in the Tomb and a detail. Oil and tempera on linden, 30.5 x 200 cm, Kunstmuseum Basel.
Date 1521 - 1522
cjr
b. 1497, Augsburg, d. 1543, London
was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own. Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church. Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility.
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