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Corot Camille
View of Saint-It
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1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous
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Corot Camille
The Cathedral of market analyses
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1830 TO Corot him sorpendio in chartres the Revolucion of July
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Corot Camille
The Cathedral of market analyses
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1830 TO Corot him sorpendio in chartres the Revolucion of July
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Corot Camille
The antepuerto of Rouen
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1834
Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al
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Corot Camille
The Seine and the Quai give orfevres
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1835 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al
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Corot Camille
The Moulin of the Calette in Montmartre
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1840 they Lacked todavia many anuses so that the hill of Montmartre itself to Become place of Favorite residence of the painters in Paris and so that in this luar, even rural, the room of dance was installed al air free immortalized by renoir in its famous picture.
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Corot Camille
The houses of cabassud
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1835-1840 Corot passed long seasons in the property of its family in ville d'
avray.
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Corot Camille
Path on the Rlo
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With the excepcion of the groins Constable, ningun painter speaks presented with taanta boldness the idea of the landscape as fragmeto of nature, and not cmo alegoria or reconstruccion ideal and escenografica of an order arquetlpico.
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Corot Camille
The castle of pierrefonds
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Toward 1840-1845 As in the views of ciucdades, Corot chooses a distant point of view that permits him recogerel motive with amplitude
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Corot Camille
The quai give paquis in geneva
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1841 criticizes has discussed It on the date of this picture, that at times is delayed until 1859 or even
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Corot Camille
The road of sevres
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Toward 1855 The vision level in depth of a rural road to be another of the motives that the impressionist from monet and renoir to pissarro and sisley-take of corot, although they be used to preferring frame diagonals that are distinguished of the caracteristica composicion horizontal of the teacher.
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Corot Camille
Rafaga of wind
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1865 Exposed with exito in the salon of 1867 is a matter of a composicion carried out in study in spite of its liberty tecnica, and sample the capacity of corot to retain long time its famous first one impresion.
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Corot Camille
The vaguada
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1855 Corot approaches aqul, by the intensity and coolness of its green, to the examples but advanced of the school of Barbizon, especially to Daubigny.
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Corot Camille
seine al bridge
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Toward 1868-1870
Corot visited frequently Mantes, where tenia friends, and alli I paint a view of l city and various pictures of the city and various pictures of the cathedral and the bridge on the seine.
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