100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
John William Waterhouse Study of a Garden on Capri
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c.1889
pencil on paper
Victoria and Albert Museum,London
John William Waterhouse Circe Invidiosa
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1892
oil on canvas
180.7x87.4cm
Art Gallery of South Australia,Adelaide
John William Waterhouse Study for Nymphs finding the Head of Orpheus
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c.1900
38 1/4x41in
Courtesy Sotheby s
John William Waterhouse The Unwelcome Companion-A Street Scene in Cairo
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1873
oil on canvas
59x49.5cm
Towneley Hally Art Gallery and Museum,Burnley
John William Waterhouse Dolce Far Niente
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1880
oil on canvas
50x95.5cm
Kirkcaldy Museum and Art Gallery,Scotland
John William Waterhouse The flower Stall
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1880
oil on canvas
57.8x79.3cm
Laing Art Gallery,Newcastle-upon-Tyne
John William Waterhouse The Favourites of the Emperor Honorius
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1883
oil on canvas
119.3x205cm
Art Gallery of South Australia,Adelaide
English Pre-Raphaelite Painter, 1849-1917
English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
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