100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919
French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters.
His critical reputation has suffered from the many minor works he produced during his later years.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Pierre-Auguste Renoir Portrat des Victor Chocquet
new25/Pierre-Auguste Renoir-986874.jpg 1876(1876)
Medium oil on canvas
Dimensions Deutsch: 46 x 37 cm
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Pierre-Auguste Renoir Mujer con una sombrilla en un jarden
new25/Pierre-Auguste Renoir-845664.jpg 1876(1876)
Medium oil on canvas
Dimensions 54.5 X 65 cm (21.5 X 25.6 in)
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Pierre-Auguste Renoir Gabrielle, Jean und ein Madchen
new25/Pierre-Auguste Renoir-349877.jpg c. 1895
Medium oil on canvas
Dimensions Deutsch: 65 X 79 cm
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Pierre-Auguste Renoir Chrysanthemums
new26/Pierre-Auguste Renoir-967664.jpg 1881/82
Medium oil on canvas
Dimensions 54.7 x 65.9 cm (21.5 x 25.9 in)
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Pierre-Auguste Renoir Portrat von Jean Renoir
new26/Pierre-Auguste Renoir-447456.jpg after 1894
Medium oil on canvas
Dimensions Deutsch: 56 x 76 cm
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Pierre-Auguste Renoir Portrait of Coco
new26/Pierre-Auguste Renoir-339377.jpg from 1903(1903) until 1905(1905)
Medium oil on canvas
Dimensions 21 X 19 cm
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Pierre-Auguste Renoir Jules le Coeur et ses chiens dans la foret de Fontainebleau
new26/Pierre-Auguste Renoir-799695.jpg 1886(1886)
Medium oil on canvas
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Pierre-Auguste Renoir Cauliflower and pomegranates
new26/Pierre-Auguste Renoir-384387.jpg circa 1890(1890)
Medium oil on canvas
Dimensions 35 X 46.5 cm
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French Impressionist Painter, 1841-1919
French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters.
His critical reputation has suffered from the many minor works he produced during his later years.
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