100% hand painted, 100% cotton canvas, 100% money back if not satisfaction.
Anthony Van Dyck
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
100% hand painted, 100%
cotton canvas,
100% money back if not satisfaction.
Anthony Van Dyck Simson und Dalila
new26/Anthony Van Dyck-684334.jpg 1st third of 17th century
Medium oil on canvas
Dimensions 148 x 257 cm (58.3 x 101.2 in)
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Anthony Van Dyck Portrat der Marchesa Elena Grimaldi, Gattin des Marchese Nicola Cattaneo.
new26/Anthony Van Dyck-453392.jpg c. 1623
Medium oil on canvas
Dimensions Deutsch: 246 x 173 cm
cjr
Anthony Van Dyck The Rest on The Flight into Egypt
new26/Anthony Van Dyck-796333.jpg circa 1630(1630)
Medium oil on canvas
Dimensions 135 x 115 cm (53.1 x 45.3 in)
cjr
Anthony Van Dyck Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted
new26/Anthony Van Dyck-669458.jpg 1632(1632)
cjr
Anthony Van Dyck Saint Ambrose barring Theodosius I from Milan Cathedral
new26/Anthony Van Dyck-763693.jpg between 1619(1619) and 1620(1620)
Medium oil on canvas
Dimensions 147 x 114 cm (57.9 x 44.9 in)
cyf
Anthony Van Dyck Lady Elizabeth Thimbelby and her Sister
new26/Anthony Van Dyck-333533.jpg circa 1637(1637)
Medium oil on canvas
Dimensions 132 X 150 cm
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Anthony Van Dyck Portrait of the one armed painter Marten Rijckaert
new26/Anthony Van Dyck-574373.jpg circa 1630(1630)
Medium oil on canvas
Dimensions 138 X 114 cm
cyf
Dutch
1599-1641
Anthony Van Dyck Locations
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.
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