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Nicolae Grigorescu
Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

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Nicolae Grigorescu Self Portrait oil painting


Self Portrait

Painting ID::  30712

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Nicolae Grigorescu

Self Portrait
nn06 Oil on wood 43x35cm National Art Museum of Romania, Bucharest,
   
   
     

Nicolae Grigorescu The Annunciation oil painting


The Annunciation

Painting ID::  30713

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Nicolae Grigorescu

The Annunciation
nn06 1853 Oil on wood Baicoi Church
   
   
     

Nicolae Grigorescu Saints llie,Sava and Pantelimon oil painting


Saints llie,Sava and Pantelimon

Painting ID::  30714

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Nicolae Grigorescu

Saints llie,Sava and Pantelimon
nn06 Oil on wood Baicoi Church
   
   
     

Nicolae Grigorescu Our Lady's Death oil painting


Our Lady's Death

Painting ID::  30715

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Our Lady's Death
nn06 Oil on wood Baicoi Church
   
   
     

Nicolae Grigorescu Saint Nifon oil painting


Saint Nifon

Painting ID::  30716

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Saint Nifon
nn06 Oil on wood Zamfira Monastery
   
   
     

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     Nicolae Grigorescu
     Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

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